National Medal for Museum and Library Service Recognizes Asheville Art Museum’s Community Contributions Contact us for images or more info. ASHEVILLE, NC—The Institute of Museum
Untitled #42 is a small yet significant work, created while Pindell was an assistant curator at the Museum of Modern Art in New York City.
Webpage: ashevilleart.org/exhibitions/draped-and-veiled Contact us for images or more info. Asheville, NC—Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson features ten large Polaroids. Organized by
Affectionately referred to as the “Dean of American Woodturners” by the American Association of Woodturners, the moniker pays tribute to Osolnik’s importance in the promotion
This signed and dated river sunset scene captures either New York’s Hudson River or New Jersey’s Passaic River, a favorite setting for American landscape painters
Cynthia Bringle began her art studies intent on becoming a painter, only to fall in love with ceramics while taking a required clay class at
Diane Arbus’s photograph of an elderly couple dressed in theatrical robes, gowns, and crowns to signify their accolades at a Senior Citizens Dance sagely dramatizes
Steps to the Garden—recently gifted to the Museum by Mary & Jerald Melberg—portrays a serene, figureless exterior scene with steps leading the eye to a
With the skills he gained while training under renowned architect Paul Philippe Cret and his exposure to Art Moderne—later known as Art Deco—while studying classical
Tom Field was a student at Black Mountain College from 1953 to 1956, and active in the Abstract Expressionist and San Francisco Renaissance circles from
