![Luke Haynes, [The American Context #16] Christina’s World, 2012, used clothing, new fabric, cotton batting, and thread on fabric, 110 × 90 inches. Museum purchase with funds provided by 2015 Collectors' Circle, 2015.28. © Luke Haynes.](https://www.ashevilleart.org/wp-content/uploads/10-luke-haynes-360x360.jpg)
[The American Context #16] Christina’s World by Luke Haynes
In conjunction with current exhibition The Wyeths: Three Generations | Works from the Bank of America Collection, we want to highlight an artwork in our
In conjunction with current exhibition The Wyeths: Three Generations | Works from the Bank of America Collection, we want to highlight an artwork in our
Rustic twig furniture and accessories were made throughout the Southern Appalachian Mountains. Long noted for the rugged individualism of its inhabitants, the mountain terrain was,
This print by Roger Shimomura depicts a traditionally dressed figure from the Japanese Edo period gazing into a mirror that reflects back Mickey, an iconic
The glass artworks meticulously cast by Karen Lamonte present sartorial silhouettes absent of the human form. Her life-sized dresses made from glass recall the art
Isla, the title of this work, means island in Spanish. Though Cristina Córdova was born in Boston, she was raised on the Caribbean island of
Associated with the Color Field movement, which abandoned figurative and gestural paintings for flat expanses of color, Jules Olitski (Snovsk, Ukraine 1922–2007 New York, NY)
Textile and multi-disciplinary artist Kenny Glass of Cherokee Nation (born Tahlequah, OK 1988) captures stories from our contemporary moment. His work frequently joins traditional Cherokee
I love the subtle cleverness of this collage by Black Mountain College student, Faith Murray Britton (Charleston, SC 1897–1984 Taylors, SC). Working with only two
Amelia Bennett (Hazel, AL 1914–2002) started working in the fields in southwestern Alabama with her parents when she was eight years old. It was also
As one of Félix González-Torres’s powerful candy-spill works, “Untitled” (L.A.) finds beauty in the everyday by transforming a bounty of cellophane-wrapped candies into a dazzling